infyni Kids

Drums - Live Training

Drum Mastery course, students will have gained a comprehensive understanding of drumming techniques, rhythm theory, and various musical styles. They will be equipped with the skills to confidently express themselves on the drum kit, whether in a practice setting or on stage.

Live Course

Live Class:

Enrolled: 0

Duration: 12 Hours

Offered by: infyni

Live Course

$0

About Course

The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone

drum, Musical instrument, the sound of which is produced by the vibration of a stretched membrane. Drums are usually either cylindrical or bowl-shaped. The drum is a universal instrument and very ancient; a drum dating to 6000 bc has been found in Moravia. Drums have been important ritually in cultures worldwide.
1. : a musical percussion instrument consisting of a hollow cylinder with a thin layer of material (as animal skin or plastic) stretched over one or both ends that is beaten with a stick or with the hands.
2. : the sound of a drum. also : a similar sound.

Skills You Will Gain

Introduction to Drumming Rhythm Theory Styles Exploration: Drum Fills and Solos Understanding Drum Notation

Course Offerings

  • Instructor Led Live sessions
  • Clarify doubts during session
  • Access Session Recordings
  • Attend on mobile and Tablet
  • Assessments and Competition
  • Direct Messages
  • Feedback from Instructor
  • Full lifetime Resources
  • Certificate of Completion
  • Topics
  • Instructor (1)
  • When we think about drums, we usually imagine a drum kit as a collection of drums, cymbals, and other percussion instruments used in music and taught in music schools. However, drums had a long way to become the drum kit we know today. The first drums we know about, dating to 5500 BC, were made of alligator skin and were found in China. Drums were used in religious events and cultural gatherings in ancient Mesopotamia, Egypt, Greece, and Rome, according to iconography. The first snare drums were developed around 1300 AD, and the cymbals originated from ancient China and Turkey in 1100 BC. The bass drum first appeared in Europe around 1400 AD, while the first tom-toms were brought to the US in the second half of the 1800s.
  • Drums were mostly used in military and orchestral music settings as separate instruments throughout history. Percussionists began integrating multiple drums into a set in the 1860s. The first drum set occurred in the late nineteenth century, which led to the development of the modern drum kit we know today. Drums are an important part of jazz music, so it’s no surprise that the jazz drummers were the first to assemble drum sets. The modern drum kit was developed during the 1920s in New Orleans by jazz drummers. They assembled a drum set using classical instruments, combining different drums, cymbals, and other percussions. By the 1930s, drummers were already standardizing their kits. Although the drum kits still varied by the size and number of drums/percussions, the five-piece drums became a norm. The basic layout of a standard drum kit was consisted of: Bass drum and foot pedal Snare drum Tom toms Hi-hat cymbal Large hanging cymbals
  • The expansion of rock music in the 1960s led to the development of drum kits as they are today. The development of technology led to the creation of electronic drums in the early 1970s, and many drummers have used them instead of an acoustic kit ever since. As many musicians greatly influenced the development of the drums, it’s only fair to give them the place in the spotlight they deserve. Read on to learn more about the legends who invented and revolutionized drumming.
  • Combining different drums and percussions into the singular set was not easy. Many musicians developed drums and drumming, but here are the most “guilty” ones. 1.William Ludwig One of the inventions that greatly influenced the development of drum kits was the bass pedal. Although some forms of bass pedal existed since the 1840s, the man who is considered the main developer of the bass pedal system was William 2.Ludwig. He also developed an early low-mounted high-hat. William Ludwig was a percussionist from Austria who, together with his brother, established the Ludwig & Ludwig Co. In 1909. they patented the first commercially successful bass drum pedal system, which enabled playing the bass drum while having free hands. 3.Louis Bellson Jazz legend Louis Bellson was one of the first drummers to add a second bass drum to his setup. He sketched out a double bass drum kit for an art class as a high-school kid in 1939 and later became the first and most famous double bass drummer. Louie popularized the use of a double bass setup, paving the way for a new drumming style. 4.Baby Dodds One of the people responsible for assembling the first drum sets was Baby Dodds, a jazz drummer from New Orleans. He suggested that William Ludvig raise the low hats to make them easier to play. That is how the modern hi-hat was created. 5.Dee Dee Chandler One of the people who discovered a way to play different drum and percussion parts together and thus invented the first drum kit was Dee Dee Chandler. This jazz drummer from New Orleans was one of the first drummers to use a makeshift pedal to play the bass drum with his foot while playing snare with his hands. 6.Gene Krupa Gene Krupa was the American jazz drummer who is considered as founding father of the modern drumset and one of the best drummers of all time. He popularized drum sets by using a more powerful bass drum for greater emphasis. Also, he was the first drummer to be recorded with a bass drum and the first to popularize the extended drum solo. 7.Remo Belli One more American jazz drummer who revolutionized drums was Remo Belli. He created the Remo brand and manufactured and commercialized the first effective synthetic drumheads. Animal hides were replaced with a durable, acoustical synthetic membrane which, besides saving many animals, revolutionized the production of drums. 8.Graeme Edge The last person we will mention in this article is Graeme Edge, drummer of the English band The Moody Blues. He created the first electronic drum in the early 1970s by Graeme Edge in collaboration with Sussex University Professor Brian Groves. Electronic drums became a popular alternative to acoustic drums, and their development transformed drumming.
  • Drumming and drum kits weren’t invented by one person but by various musicians who developed the instrument and technique over the ages. The modern drum kit was born in the twentieth century, and its forefathers were American jazz drummers such as Baby Dodds, Dee Dee Chandler, Gene Krupa, and many others. If you are curious about other great musicians who developed drumming, check out our article about top drummers of all time. We hope this brief history of drumming roused your passion for the drums and gave you a glimpse into the creation of the instrument we all adore.
  • Drums are usually played by striking with the hand, a beater attached to a pedal, or with one or two sticks with or without padding. A wide variety of sticks are used, including wooden sticks and sticks with soft beaters of felt on the end. In jazz, some drummers use brushes for a smoother, quieter sound. In many traditional cultures, drums have a symbolic function and are used in religious ceremonies. Drums are often used in music therapy, especially hand drums, because of their tactile nature and easy use by a wide variety of people.[2] In the 2000s, drums have also been used as a way to engage in aerobic exercise and is called cardio drumming.[3][4] In popular music and jazz, "drums" usually refers to a drum kit or a set of drums (with some cymbals, or in the case of harder rock music genres, many cymbals), and "drummer" to the person who plays them. Drums acquired even divine status in places such as Burundi, where the karyenda was a symbol of the power of the king.
  • Macaque monkeys drum objects in a rhythmic way to show social dominance and this has been shown to be processed in a similar way in their brains to vocalizations, suggesting an evolutionary origin to drumming as part of social communication.[7] Other primates including gorillas make drumming sounds by chest beating or hand clapping,[8][9] and rodents such as kangaroo rats also make similar sounds using their paws on the ground
  • Drums are used not only for their musical qualities, but also as a means of communication over great distances. The talking drums of Africa are used to imitate the tone patterns of spoken language. Throughout Sri Lankan history drums have been used for communication between the state and the community, and Sri Lankan drums have a history stretching back over 2500 years.
  • Chinese troops used tàig? drums to motivate troops, to help set a marching pace, and to call out orders or announcements. For example, during a war between Qi and Lu in 684 BC, the effect of drum on soldiers' morale is employed to change the result of a major battle. Fife-and-drum corps of Swiss mercenary foot soldiers also used drums. They used an early version of the snare drum carried over the player's right shoulder, suspended by a strap (typically played with one hand using traditional grip). It is to this instrument that the English word "drum" was first used. Similarly, during the English Civil War rope-tension drums would be carried by junior officers as a means to relay commands from senior officers over the noise of battle. These were also hung over the shoulder of the drummer and typically played with two drum sticks.
  • Drumming may be a purposeful expression of emotion for entertainment, spiritualism and communication. Many cultures practice drumming as a spiritual or religious passage and interpret drummed rhythm similarly to spoken language or prayer. Drumming has developed over millennia to be a powerful art form. Drumming is commonly viewed as the root of music and is sometimes performed as a kinesthetic dance. As a discipline, drumming concentrates on training the body to punctuate, convey and interpret musical rhythmic intention to an audience and to the performer.